I have been using the app Dubsmash a lot lately with some other Disneyland fans. For those that don’t know, Dubsmash is an app full of movie and song quotes and you can lip sync to them and send them to your friends.
We noticed there were NO Walt Disney or Disneyland quotes so we started uploading them — a LOT of them. Maybe I’ll share them here one day, but while looking for famous Walt Disney quotes to add to the site, I came across this gem:
Not sure if this is well-known in the Disney community, but this is Walt’s last interview and it was in September of 1966 just as he was preparing production of “The Happiest Millionaire.” He sounds great here! It’s from a South African radio program and Walt’s interview starts after the musical introduction at 6:25.
They talk about Mary Poppins, The Sherman Brothers, and even a little about Disneyland in this short but fun interview. It’s terrible that this was his last interview and he would pass away not 3 months later. He was a legend of not only his day but into today and beyond.
Take a listen to this interview sometime and imagine a world where radio programs sounded like this, Walt Disney was still a living legend, and the Disney company, while a mega-giant in its time, was relatively new and still finding its place in the world.
What a guy!
For fun, here’s one of our Dubsmash clips:
Pardon the audio quality, it’s the best version of the clip I could find.
I love “A Goofy Movie.” As unpopular as it may seem, I honestly think it may be my favorite Disney film. It gives me all of the feels. Like, if Powerline ever toured, I would go to MULTIPLE shows.
In case you have forgotten it, it’s about Goofy and his son Max. Max is a high school misfit that’s into rock and roll and girls. One particular girl, Roxanne, whom he’d love to impress — so much so that he dresses up as his favorite musician, Powerline, on the last day of school before summer vacation and performs his hit single “Stand Out” in front of the entire school! Max gets into a lot of trouble for the stunt and Goofy decides to take Max on a father/son road trip/bonding experience. Max, still wanting to impress, tells Roxanne that he’s going to the Powerline concert in LA. He re-routes him and his pop to LA where, lo and behold, they not only make it into the show but perform on stage with Powerline — and Roxanne saw it all on Pay-per-view!
Well, after seeing that in the film, it was something I always wanted to do. It may have even been what got me interested in being in a band, performing on stage, writing, EVERYTHING! I’m telling you, this film meant a LOT to me as a kid! Well, these kids did exactly that! With 5 minutes during a school assembly to do whatever they wanted, they did this awesome bit:
Compare that awesome performance to the original!
Not to diminish the originators of “A Goofy Movie” reenactments, check out what these guys imagineered back in 2009!
What a rush! I think they really nailed it. What about you?
Yesterday, we reported on the 10 year anniversary of the DCA version of the Twilight Zone Tower of Terror. Many could hardly believe that it had been 10 years, including us! But to sell just how long ago it was or to show just how far Disney California Adventure park has come in a relatively short amount of time, depending on how you look at it, I’ve compiled a list (thanks to the folks at yesterland, MiceChat and davelandweb) of 20 things available to guests about to ride the brand new E-ticket attraction!
1. The Timon and Pumbaa parking area was an option for guests
It feel like just yesterday and 3 years ago at the same time. In reality, it’s only been about 6 months since we were at the Tokyo Disney Resort and I conclude my photo essay with the creme-de-la-creme of Disney parks: Tokyo DisneySea! You may be interested in checking out ourTokyo DisneySea episode of the Remain Seated, Please Podcastwhile you read along! You can also check out this video compilation I made of the footage from the park!
We took the subway to the resort that morning and figured we could walk to DisneySea in the same way we walked over to Disneyland — not the case! I guess we are so used to walking to Disneyland here in Anaheim that we take it for granted. For this park, we got to board the monorail! (for a small fee.)
Once at the park entrance, we noticed how much shorter the line to get in was. Thank goodness! We weren’t sure we could handle another day like the previous in terms of crowds. We did catch a glimpse of some more amazing kids in costumes, though!
We got in and walked quickly to the American Waterfront section of the park to get our Tower of Terror fastpasses and our dinner reservations on the SS Columbia.
We then headed to the next E-ticket attraction to stand in what we thought would be a huge line — “Journey to the Center of the Earth,” which is over at Mysterious Island — an INCREDIBLY detailed area of the park that is unlike anything else you have ever seen, I assure you!
After THAT whirlwind experience, we grabbed a bite to eat. I had heard about the Gyoza Dog, but I HAD to have one! So I did and I REALLY liked it. More of a Bao-like texture on the outside dumpling but inside was more of the Gyoza dumpling kind of texture.
Then, we headed over to the Lost River Delta to check out the Indiana Jones attraction. It was still VERY early in the day and the park was still pretty slow which was GREAT for us. I LOVED the queue for Indiana Jones Adventure: Temple of the Crystal Skull. The ride is very similar to the Indiana Jones attraction at Disneyland, but this queue was incredible.
Next up was Port Discovery. The aesthetic and design of this area reminded me of Discovery Land at Disneyland Resort Paris. Lots of blues and golds and a steam punk vibe. I was very interested in the Aquatopia attraction which is a trackless ride system on water. It sounds cooler than it was, but it was fun nonetheless.
We were now ready. It was time. TOWER OF TERROR! This would be the first time we had been on a Tower attraction that was not themed after The Twilight Zone and this would also mark the final Tower we needed to ride to be able to say we had ridden them all! Here’s what we saw:
It’s VERY similar to the DCA and Paris version in terms of ride experience, but the story and visuals are much different and in some ways better.
Just before lunch, we walked thru the Mediterranean Harbor area of the park and snapped some shots.
From here, we first heard Mount Prometheus erupt! We had no idea it would, but it only makes sense! Took some great video of it, too! Now, it was back to Mysterious Island to ride “Journey…” again and see what else there was to offer. Glad we went back, and it wouldn’t be our last time!
Then, it was back to Port Discovery to check out the other attraction there, StormRider! This is a mix between Honey I Shrunk the Audience and Star Tours and the queue is much better than the attraction. Still, unlike any other Disney attraction I’ve been on.
Mermaid Lagoon and Triton’s Kingdom. This is the children’s area of the park but the concept is genius — at least for Triton’s Kingdom. Think of the interactive queue for Dumbo at Magic Kingdom park at WDW on a much larger scale. It’s completely indoors and looks JUST like the Under the Sea scene in Ariel’s Undersea Adventure at Disney California Adventure Park and Magic Kingdom but you can walk around it. Many of the kiddy rides from DCA show up here but walking thru it is WELL worth it. Plus, there’s a Cirque Du Soleil-level Little Mermaid show!
The Arabian Coast was next. Had no idea what to expect here. I saw there was a magic show which we ultimately skipped due to less than stellar (literally, not facetiously), and some boat ride that sounded cool. This, however, was cool on the level of New Orleans Square at Disneyland in the sense that there were quiet areas with great detail and you could just stroll the streets of a middle-eastern street market. Very cool! And that boat ride? One of the greatest surprises of the entire two-day stay at the parks: Sinbad’s Voyage!
With a song from Alan Menken, this is the “…Small World” for today’s kids in the sense that it’s a repetitive song that’s super catchy and small animatronics telling the story. These are mostly the size and feel of the Mary Blair models in “…Small World” but with an updated look and feel. REALLY well done!
The rest of the day was re-riding things, snapping shots, and waiting for Fantasmic! You can see those photos in the gallery below. Outside of that, we did two more cool things: The Fortress Explorations section of the park at the base of Mount Prometheus and dinner and drinks aboard the Columbia!
You’ll have to forgive me for not writing down what we got. Drinks were at my favorite publicly accessible Disney lounge, The Teddy Roosevelt Lounge, aboard the SS Columbia!
And lastly, Fantasmic! This show is different from the other two versions of the show at Disneyland and Hollywood Studios at WDW. Thin Illuminations at Epcot meets the WDW version of Fantasmic! The mirror effect and dragon were the best parts of this show, for sure!
This was a huge day for us. A new Disney Park at another country. We ate a ton of popcorn and we had much fewer guests to contend with. It was a super awesome day and an incredibly beautiful park!
I was linked to this video yesterday and couldn’t stop laughing — I HAD TO SHARE! I’m not sure if you’ve ever seen this guy or heard of him and this sketch but he’s hilarious. MediocreFilms puts out his borderline Dad-joke level of humor videos and they come off as hilarious. And now, he’s taken Disneyland!
Watch these two videos — a main edit and an outtakes edit. Super funny and SUPER awkward… for some.
It’s been a while since we did a photo blog but I have so many great pictures and videos from Tokyo Disneyland that I just had to share. Start off your journey with our latest podcast which describes the trip in great detail. Then, check out this video I cut together from the clips I shot on our first day to the resort!
And now, fill in the gaps with some of the photos from that trip. Any questions? Leave us a comment down below and I’ll do my best to answer what I can! Check back soon for our second Tokyo Disney podcast and I’ll be sure to accompany that episode with more pictures and another video.
Hey there! We’ve got a podcast. Maybe you’ve heard it — maybe not? This is more of an announcement about where you might find the podcast in its various forms. A cheat-sheet, if you will.
We try to make it pretty easy to find but there are just so many options and here they are:
Right Here! We added a “Podcast” button to the top menu so you can easily find the podcast embedded in the page. Right now, Google Chrome doesn’t seem to love playing back the file but Safari, Firefox, and Internet Explorer seem to work fine. Safari on the iPhone and iPad seem to work well, as well.
iTunes!I absolutely LOVE Apple’s Podcast app. It allows you to subscribe to your favorite podcasts whether they’re in the iTunes store or not. It’ll alert you when there are new episodes and it’s the easiest way to see linked and photo content we embed into the episodes.
YouTube! They have made it very Podcast friendly and we have committed to creating and uploading HD versions of our podcasts with embedded content and links when we can. You can subscribe here and they even let us make a “Podcasts!” playlist so you can play them all at once. Subscribe, won’t you?
SoundCloud!We have a free SoundCloud account so you’ll only ever have the last two episodes available to you but you’re not that far behind anyway, right? This is another really easy way to listen to the podcast while on the go, on the metro, in your car, on a run — however you wanna hear it!
Stitcher!This is a booming podcast community and we couldn’t be happier to be a part of it.
And the rest… When we set up this podcast, I submitted the feed to anywhere and everywhere I could. That said, I have since forgotten many of the places but if you have a way to listen, we have a way to hear it. Have your own favorite podcast app that we didn’t list? You can use this link HERE and subscribe to just the feed, if you like. It’s that simple.
Thanks for listening everyone! It’s been a lot of fun hearing your comments and feedback about it and they sure are fun to make. Even I feel like I learn a lot while recording and we hope it’s coming across as entertaining. As long as it’s fun, we’ll keep making them!
The wife and I just booked our trip to Japan, which I will gush about in future posts but today has been replete with Mystic Manor news, announcements, updates, and now: A VIDEO!
This looks absolutely incredible and yet another trackless ride system from Disney’s Imagineering team! I had never even heard of trackless ride systems until researching our Tokyo Disneyland trip but now this is something I KNOW we need here in the US parks. Robert told me that TOT in Florida is a trackless system which I had no clue but these have come quite a way in 20 years!
I am surprised it’s in English although I have done little to no study on the overseas parks. Disneyland Resort Paris had a few rides that offered an English experience and Tokyo Disneyland and Disney Sea parks seem to be mainly in Japanese (with the option of picking up “story papers” at City Hall.) Also, Danny Elfman’s score is a fitting choice for this attraction and it offers a great new soundtrack for those attraction audiophiles out there!
Mystic Manor is China’s first foray into the Haunted Mansion-type attraction. However, from what I can tell and have heard, ghosts are a big taboo in China so the imagineers thought up a clever workaround using a cute, mischievous, and marketable monkey and a mysterious music box that is a recent addition to Lord Henry’s collection of antiquities.
Mystic Manor at Hong Kong Disneyland’s new Mystic Point area officially open to the public May 17, 2013.
Details. Details. Details. Disneyland is all about the details. One might think when starting a project from scratch that uniformity is key to telling a narrative story. When I cut a video, I need to make sure that all the graphics flow, fonts match, sizes match and are aesthetically pleasing. The key to my work is not to be noticed. Disney took this to the next level when creating a park with many different lands, messages, and simultaneous stories.
Today, I’d like to point out the amazing signage at the park. In just under 20 minutes, I captured so many different signs in the park. From Tomorrowland restrooms to New Orleans Square, one is bombarded by messages pointing in one direction or another. These signs are so perfectly themed that one might not even notice them.
I don’t know what it is but these 19th century signs just make my day. Super simple and unique yet effective. It really matches the theme of the First Aid and Lost and Found offices over on Main Street USA which is also modeled after a late 19th century town. This sign was found in Tomorrowland but draws the connection to this particular storyline.
These restrooms look almost untouched since 1955. They’re tucked away between Innoventions, Autopia, and the Tomorrowland train station. Starting with the signage up top, I think it’s the yellowing of the plastic sign, the font size and shape as well as font color that give it away. In addition to its tucked-away nature, I like to think that this building looks just as it did when the park first opened (even though its adjacent attraction, Carousel of Progress, didn’t open until 1967.)
The lower sign suggests a future when alien and human life might live together. I particularly love the Women’s signage as the taller alien woman looks to be wearing a dress but upon further inspection, she’s got some kind of tentacle/scale motif going on. Nice touch. Even the alien language here continues the theme in a more cerebral way. By far one of my favorite park details.
Check out this Autopia sign in Tomorrowland. Complete with pistons supporting the letters and a checkered flag, one could see this sign without knowing there was a ride and “get it.” Ingenious.
There are plenty uses of this sign around the park. The first time I noticed it was on Haunted Mansion and it was pointed out by a buddy of mine. Since then, I have noticed it in every park I have been to. While it’s standard safely protocol and less about the imagineers trying to tell a story, storytelling seems to be inherent in the guests now as we make our own stories for standard signage. We like to think that one must remain seated and not dance on the rides. Seems to stand true, in a sense.
From the font to the color scheme, the imagineers nailed it with this attraction. The wait-time board matches the attraction signage which matches the look and feel of the attraction. And, while I could have desaturated the colors in this photo and made it look more cold and “scary,” I chose to really keep it true to how it appears in person because even then, the sign itself “betrays an aura of foreboding…” The imagineers hit a home-run with this attraction’s signage and trend-setting font.
Finally, we take a look at a reference to an old attraction. The Country Bear Jamboree, while gone from Critter Country at Disneyland, is alive in plenty of references throughout the current Critter Country. Even the Winnie the Pooh attraction has some of the old animatronics from the old show. But in this sign from the Hungry Bear restaurant, we see our cast of misfit critters thanking us for visiting. Not sure if the kids will get it but it still fits within the theme of the land and parents will get a smile remembering the attraction that used to be. Luckily, the parents can still take a trip to Walt Disney World and show their kids a version of the show that still operates daily in Frontierland.
While we only touch on some of the great signage, take a look around next time you’re at the parks. There are details all around you that you may take for granted — and that’s their job!
Yesterday, I posted about an incredible feat of ingiuity and dedication: a shot-for-shot recreation of Pixar’s first feature-length animated film Toy Story. It was so incredible and I was so impressed that I had to reach out to the film-makers themselves to figure out how and why they did it. They were gracious enough to answer the few questions I (and apparently a bunch of other blogs around the interweb) had for them regarding the film:
Remain Seated Please: What inspired you to pull off such a daunting task of recreating a feature-length pixar film, shot for shot?
Jesse Perrotta: I think part of what started the fire in us to make us want to do this was the release of Toy Story 3. The months following the movie’s release, we were in constant Toy Story mode, haha. Also, we wanted make something that would be historical (the first shot-for-shot recreation of an animated film in live action.) Nobody did it before, and we wanted to be the first!
RSP: How long from start to finish did this take?
Jesse: Without counting preparation, it took us almost 2 years to the day (August 2010 to August 2012).
RSP: What film making inspiration did you have (outside of Toy Story, obviously?)
Jesse: It’s hard to think of another answer besides Toy Story, haha. I wasn’t really inspired to do it but anything else
Jonason Pauley: I was also inspired by the kids in the 80s who re-made Raiders of the Lost Ark, the guys who re-made the Goofy Movie song in a similar way… I just loved watching shot-for-shot type low budget re-makes (Be Kind Rewind would have been better if they had more of those type of scenes.)
RSP: What was the most difficult sequence to shoot? 4.) what did you edit this in?
Jesse: I would say the hardest scene was the shot after Buzz jumps on Scud’s face, when Scud is trying to shake Buzz of while the camera is moving away from them. It took us countless takes until Scud finally did what he was supposed to do.
Jonason: For the most part, shooting all day we completed about a minute of the film, but it seemed to take twice as long for the chase scene. Also, working with kids and Scud wasn’t too easy either. It was fun, just not easy.
RSP: What did you shoot this on (camera type?)
Jonason: I filmed with just a normal consumer camcorder. Panasonic HDD (that’s not High Def Delux, that’s Hard Drive Disk)
RSP: What program did you use for editorial?
Jesse: We edited the movie on Adobe Premiere Pro.
Jonason: I did the majority of the editing, like Jesse said, on Adobe, but you, Jesse, edited a scene in Vegas.
RSP: Did you have any “technical advisors” or was a lot of it improvised between the two of you? (ie – stop motion stuff, marionette, puppetry, etc?)
Jesse: It was pretty much all on-the-spot decisions. (e.g., “I can’t get his arms to do what I want. let’s use the wire.”, or, “This shot’s so hard to do! Let’s film it backwards!”) Also, Jonason’s dad would sometimes be around and give us some tips on how to accomplish a certain scene.
Jonason: A.D. is credited as “Technical Expertize” because he resurrected my computer from the dead to a zombie-like state once.
RSP: Is film production a dream of yours?
Jesse: I can answer this for both of us… yes! We definitely want to have careers in film-making. I, personally, would love to compose music for films and television shows.
Jonason: I want to make good movies.
RSP: What’s next for you two?
Jesse: I’m planning on riding this Live Action Toy Story success train for a while, and see where it takes me. I’m also going to be working on a new series called Billy and Chucky (it’s a puppet show.)
Jonason: I’m going to school for a film degree and it doesn’t really matter to me what I do, as long as I have a part in making movies and videos that people will enjoy as much as I do. For now, more internet stuff.
RSP: What has the reception been like? 5.5M* views in just 5 days is unheard-of!
Jesse: I’m so amazed to see how much this movie has been getting attention these past few days! We’re not just popular on Youtube, but it seems like we’re showing up everywhere on the internet! It’s really exciting, and it feels so rewarding to know that people are enjoying it, and watching it with their families
Jonason: I am amazed at how well received it has been as well.
*6.3M as of today!
I had never done an interview before this one but these kids and their project inspired it. Very inspiring seeing what they pulled off and from their points of view, it’d appear that it was also very rewarding.
As I went on and did more homework on these kids, I learned that they took a trip to Emeryville, California with no promise (or success as far as I could tell) of getting in but just to hand out DVD copies of the film to Pixar employees and they were met with a smile from security who seemed to be expecting them. Although Pixar has a history of never commenting on fan-projects (because then we would all do fan-projects), they have received accolades from a few Pixar insiders including Lee Unkrich, director of Toy Story 3!
It also turns out that these are the same kids behind the live-action Toy Story 3 finale released last year which is what first gained the interest of Unkrich as well as 2.6M other viewers since it was released.
These kids have two major viral hits on their hands and we here at Remain Seated Please are glad to be in their corner early-on! To the next few-million hits!